Installation view of Bufo Bufo (aeons below) at Deptford X, London (UK), 2017.
HD video and sound(06:20), custom-made stand, inflatable seat, silicone blobs.
![](https://cdn.myportfolio.com/0a894e5d-5b90-4d8c-aab9-2260e3cebd44/f891f6a2-d6f8-4eab-9e37-8f0908fb1bab_rw_1200.jpg?h=b7a6f857af6dea8402c629ef0b8d48de)
![](https://cdn.myportfolio.com/0a894e5d-5b90-4d8c-aab9-2260e3cebd44/c607609c-c01d-495c-85ef-d0a03c3422ee_rw_1200.jpg?h=caa2ae1d961849dd27c54305fe9c6129)
![](https://cdn.myportfolio.com/0a894e5d-5b90-4d8c-aab9-2260e3cebd44/035a5bcd-be05-41c2-8e01-0e6aeb18becc_rw_1200.jpg?h=0204ff74874673bef0922e329339d3e7)
Set in a no-space land, the toad, a mythological creature of endless age, is a post-gender proxy inhabiting the present in a digital sphere which resembles itself endlessly.
The script is inspired by Russian Cosmism and Nietzsches writing on time. It opens up a culmination of parallel events and issues within cyber-thinking and transhumanism's wish to extend life debating ideas of ‘techno-utopia’.
Installation view of Bufo Bufo (aeons below) at Parsec, Bologna (IT), 2022.
HD video and sound(06:20), custom-made stand.
HD video and sound(06:20), custom-made stand.
Photographs by Francesca Dondi.
![](https://cdn.myportfolio.com/0a894e5d-5b90-4d8c-aab9-2260e3cebd44/cfd3a154-2126-4d9e-ac5f-7794202d511d_rw_1200.jpg?h=9036b0ff653a8d998f5bfda259eed124)
![](https://cdn.myportfolio.com/0a894e5d-5b90-4d8c-aab9-2260e3cebd44/12f0a77b-22e2-498c-8abd-328ed88686d7_rw_1200.jpg?h=55fdad4dbec43f739619c5fe89e0b2dc)
![](https://cdn.myportfolio.com/0a894e5d-5b90-4d8c-aab9-2260e3cebd44/8ce50a92-a94c-4c87-9a34-26024367d48f_rw_1200.jpg?h=132c7138a3703bee1eebbb7dfe709122)
![](https://cdn.myportfolio.com/0a894e5d-5b90-4d8c-aab9-2260e3cebd44/7bd66668-b8dc-44d2-a26e-e71aa7362f16_rw_1200.jpg?h=17b5b26e507db5d44b2bd250a8e640bd)